Film Magazine
Total 7 Posts
Remnant Beauty, Artisan, Grass-fed, Animal Fat Skincare Fit for Queen Cleopatra
Cleopatra and grass-fed beauty is our handmade story this month with a dash of Hollywood pizzazz. Luminaries Magazine editor Alison Jane Reid
talks to Remnant Beauty about ancient beauty rituals and the wonders of cow fat.
The Luminary Review: Nolly, The First Lady of Television, The Quiet Girl, Simone Signoret and Ingrid Bergman On Fire at the BFI and The Life of John Palmer
The Luminaries Magazine film, drama and radio review is published. This week, arts journalist Alison Jane Reid explores Nolly, Journey to Italy, The Quiet Girl, John Palmer and Room at the Top.
Competition! Win La Dolce Vita and Four Other Criterion Collection Classic Films and Support The Luminaries Magazine
Classic Film Competition time! Win a stunning collection of Criterion Classic films from La Dolce Vita to Summertime and All About Eve, by sharing and supporting Luminary Journalism.
Did You Know That? Bond Girl Jane Seymour Once Wore a 19th Century Frock Coat to Meet Princess Margaret
Happy Birthday to Jane Seymour, actress, fine artist and eternal Bond Girl. Jane tells journalist Alison Jane Reid about the evening she met Princess Margaret dressed in an antique frock coat.
The Blonde Review
Blonde is a violent, miserable ordeal of a film that trashes Marilyn Monroe's classic film legacy to focus on the tragic side of her life writes arts journalist Alison Jane Reid. Someone, please come up with a better script!
Magic Film, Radio and Drama Review
This week, The Luminaries Magazine magic film, radio and drama review wallows in Vivien Leigh's slice of life thirties movies, together with Anatomy of a Scandal, Five Clint Eastwood Films to celebrate his birthday and Dr Michael Mosley's Just One Thing Podcast.
Murina - The Dazzling Coming of Age Seaside Film Noir Starring Gracija Filipovic
Murina, the Camera d'Or film debut by director Antoneta Alamat Kusijanovic is a shimmering, unsettling film debut that explores coming of age and male violence in Splash's dark sister writes arts journalist Alison Jane Reid.